- Pro Tools 10.3.9 and Pro Tools HD 10.3.9 on Windows 7 This Read Me documents important compatibility information, resolved and known issues for Pro Tools ® 10.3.9 and Pro Tools ® HD 10.3.9 software with supported hardware on qualified computers running Windows 7 (32-bit or 64-bit).
- Pro Tools 10.3.10 is a full installer. Avid recommends uninstalling your current version of Pro Tools prior to installing 10.3.10. Re-install the Drivers for your non-HD interfaces after a Clean Uninstall. Pro Tools 10.x uses a single installer for both Pro Tools and Pro Tools HD.
Avid Pro Tools HD 10.3.0 Windows (Patch-V.R) Torrent Download. Get the same new features in Pro Tools 10 software. Create a much larger mix, with 768 tunable audio tracks and 512 aux tracks. Get highly responsive recording and playback performance with expanded disk storage, which loads the entire session in RAM. Pro Tools 10.3.9 and Pro Tools HD 10.3.9 on Windows 7 — 4/24/14 2; Fixed a case where Pro Tools would not properly import embedded AAF files that contain media with mixed frame rates. (PTSW-191841) Fixed a case where AAF files imported into Pro Tools would result in gaps of one sample in length inserted between clips. Pro Tools 10.3.9 and Pro Tools HD 10.3.9 on Windows 7 — 4/24/14 2 Fixed a case where Pro Tools would not properly import embedded AAF files that contain media with mixed frame rates. (PTSW-191841) Fixed a case where AAF files imported into Pro Tools would result in gaps of one sample in length inserted between clips.
Avid Pro Tools | HD Family – For professionals who demand the highest sound quality and power, tightly integrated Pro Tools | HD hardware/software systems deliver unparalleled performance, pristine audio quality, and easy scalability for total music and audio post production.
Plus, with support for 32-bit floating-point file formats, youll get higher resolution sound when recording or importing, with more headroom to preserve the integrity of your audio from beginning to end.
Drive faster with better performance
Gain better recording and playback performance when working on a laptop with an external drive or a network-attached storage device. Speed up editing and mixing with Clip Gain. Work more easily with AudioSuite-rendered clips. Get 4x more* Automatic Delay Compensation and 2x more busses to handle bigger mixes with more plug-ins. And get snappier performance when working on sessions with lots of fades.
Increased ADC not supported with Pro Tools| HD due to hardware limitations.
Plug into legendary sound.
With the included Avid Channel Strip plug-in, you get the renowned channel strip of the Avid (formerly Euphonix) System 5, one of the most sought-after consoles used to create some of the greatest mixes ever produced. Work with exact replications of the consoles EQ and compression algorithms to add life to your mix.
Record/Compose
Get top-quality sound and performance with Avid hardware
Whether youre tracking vocals, guitars, or an orchestra, youll get the best possible sound and optimized performance when you pair Pro Tools with an Avid audio interface. Record high-resolution audioup to 32-bit/192 kHzand experience exceptionally low latency to capture your best performances easily.
Work the way you want
With Pro Tools, you have the flexibility to record, edit, and mix music and sound for picture your way. Pair the software with your favorite Avid or third-party audio interface to record and monitor vocal and instrument performances. Or record and create with just your computer** and the software alone for ultimate portability.
Loop and punch your way to perfection
Nobodys perfect, but with Pro Tools you can create a seamless performance from multiple takes. Let your spontaneity shine with Loop recording and comp together your best takes. Or use QuickPunch to quickly replace any questionable section with a better performance.
No instrument? No problem.
Easily create parts for practically any musical instrument using great-sounding virtual instruments, a MIDI keyboard/controller or your mouse, and the built-in Pro Tools MIDI Editor. Get started fast with the included virtual instruments and audio loops, and expand your arsenal with virtual instruments from Avid and third-party audio designers.
Compose with full MIDI and notation tools
Take your songwriting from sketchpad to final production. Create and edit virtual instrument and MIDI performances with the MIDI Editor. Or compose music using notation tools in the built-in Sibelius Score Editor. You can even export sessions as Sibelius (.sib) files for further finessing in Sibelius.
Work and collaborate on projects from other apps
Collaboration has never been easier. With Pro Tools, you can exchange sessions with any Pro Tools user or studio. Or work on projects created in other audio and video softwareincluding Media Composer, Logic, Cubase, and other third-party app right in Pro Tools.
Edit
Stretch your creativity with Elastic
Time and Pitch
Freely experiment without the time or effort investment. With Elastic Time, you can change the tempo or timing of any clip or an entire composition on the fly. And with Elastic Pitch, you can fix wrong notes, create harmonies, and transpose clips in real time without altering the tempo.
Edit with precision
Shape and fine-tune your music and audio with professional, sample-accurate editing tools. Create a flawless performance by comping together tracks.Speed up editing with the Smart Tool. And smooth transitions with crossfades. Everything you need to perfect your tracks is available right from within a single Edit window.
Snoop out grooves with multitrack Beat Detective
With the versatile Beat Detective tool, you can quickly fix timing issues across multiple tracks or change up the feel of a beat to get a different groove. You can even use it to keep your rhythm section in the pocket by extracting the groove from a drumbeat and applying it to the bass part.
Create and cut sound to picture
With Pro Tools, you can create, edit, and mix audio to picture using the built-in Timecode Ruler and video track. Use the included plug-ins to clean up sound. Create sound effects that define (or defy) reality. And record and edit voiceovers, Foley, and ADR with perfect frame accuracy. You can even share audio mixes with Media Composer editors through AAF.
Mix
Get the sound you want
Polish mixes with over 70 included effects, sound-processing and utility plug-ins. From high-quality reverbs, EQs, and compressors, to guitar amp emulators, surround sound fold-down, and channel strip dynamics, you have everything you need to create professional mixes. Want more? Browse the in-app Avid Marketplace to find what you need.
Grab control of your mix
You can use a mouse to make changes one at a time, or mix faster and easier using a hardware control surface. Get hands-on Pro Tools control with a choice of Avid control surfaces and consoles and third-party boards.
Achieve the best mixes possible automatically
Buy Pro Tools Hd
Get great sounding, phase-accurate mixes with Automatic Delay Compensation now with 4x the samples (16,383) to handle bigger mixes no matter how many plug-ins you use. Plus, you can automate the settings of every element in the Pro Tools environment to add life to tracks and achieve the best mix possible.
Pro Tools HD 10
Get all of the same benefits of Pro Tools 10 software along with these additional features and workflows. (Please note that Pro Tools HD software is available only as part of a Pro Tools|HD family system purchase or software upgrade.)
Pro Tools HD 10 new features
Get all of the same great new features of Pro Tools 10 software
Create way bigger mixes, with up to 768 voiceable audio tracks and 512 aux tracks*
Get highly responsive recording and playback performance with the extended disk cache, which loads entire sessions into RAM
* When used with Pro Tools| HDX.
Connect with up to 12 Pro Tools HD-based systems using Satellite Link
Get improved workflows for field recorders
Control two Pro Tools HD-based systems with a D-Command console in Multi-mode
Get more tracks and streaming support when using Avid ISIS
Important information about Pro Tools|HD Accel and legacy (blue) interfaces
Pro Tools HD 10 additional features
Get top-quality sound and performance with Avid hardware
Because Pro Tools HD is designed and optimized to be part of an integrated hardware/software solution, you can capture audio in pristine clarity with near-zero latency. Even when mixing large, complex projects, youll experience uncompromised performance on a Pro Tools|HDX DSP-powered system or on the host with Pro Tools|HD Native.
Record and edit with advanced audio tools
Record solo tracks in PFL (pre-fader listen) or AFL (after-fader listen) mode. Work more efficiently when punching performances with TrackPunch and DestructivePunch. Enhance and speed up editing tasks with Continuous Scrolling, Scrub Trim tool, Replace Clip command, Time Compression and Expansion Edit to Timeline Selection command, field recorder workflows, and more.
Work more easily with video
Edit and mix sound for larger, more complex video productions, and display up to 64 video tracks in the timeline. Expand your post capabilities with advanced video features. Including multiple video playlists and basic video editing tools. Share audio mixes with Media Composer editors (and vice-versa) through AAF. Or integrate directly into the Media Composer workflow with the Video Satellite option, eliminating the need to render effects, transcode video, or copy files.
Mix in stereo or surround
With Pro Tools HD, you can mix in everything from mono up to 7.1 surround sound. Build up your sonic landscape and add movement to your mix with the built-in surround panner. Work with groups of tracks faster and easier with VCA Group mixing. And with advanced automation tools, you can tackle even the largest, most complex mixes with ease.
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The Story So Far…
Unless you have been living under a rock you will be aware now from my previous articles that desktop video in Pro Tools 10 is like a drunk fish on a bike as it meanders in and out of sync on a single pass, so should be avoided like the plague. See my video here showing Syncheck 2 and Syncheck 3
We also discovered that using a peripheral like the Avid Mojo, even un-referenced with video syncs and a sync HD, actually gave quite good sync.
The no brainer was that Pro Tools 10 HD with a referenced Avid Mojo and a Sync HD was rock solid, but the surprise was that it was so accurate even when not using Avid MXF media.
Which is Better For Pro Tools - Blackmagic or AJA?
From some of my previous articles on video hardware, you will have noted that I have found that AJA hardware performs the best with Pro Tools 11 over and above the Blackmagic solutions. Blackmagic were having serious problems in Pro Tools 11.1.2 (and below) with their drivers, whereas AJA were not. Blackmagic have finally improved their game and released a more stable driver which narrows the field a bit. I still however maintain that I prefer the thunderbolt AJA IOXT over the PCie Blackmagic Decklink Studio for several reasons:
Pro Tools 10.3 9 Crack Mac
I prefer the IO software. The AJA software tells me the frame and line rate of the reference input and it also tells me what sort of display the outputs are connected to. Compare that to the Blackmagic which just unhelpfully comments “reference present”.
It also allows very easy downmixing of the HD to SD with a very easy to understand software interface, allowing me to choose what favour of down mix I would like.
I find the responsiveness of the AJA hardware superior both in jog and in darting around the timeline. It just feels better - which is all important when you are cranking it for 12 hours a day!
AJA support by phone is excellent and their email support is top drawer too.
Thunderbolt is a future proof connection compared to the PCIe of the Blackmagic and gives a portability and laptop accessibility for the future.
Therefore I continue therefore to hold the AJA IO XT as my “gold standard” for testing.
Video Performance With Pro Tools 11 and the New Avid Video Engine
OK, so we get to the 64 million dollar question - What is Pro Tools 11 HD video playback like with the new Avid Video Engine (AVE)?
Pro Tools 11 has the new 64 bit Avid Video Engine from their flagship Media Composer editing software which can play Avid Video wrapped favours (MXF) like the DnXHD Avid codec (its allegedly preferred diet) out of non Avid peripherals (or even the desktop), as well as all flavours of QuickTime wrapped media such as Apple’s ProRes codec or even Avid’s own DnxHD codec. It promises to be all things to all men and end the hassle I was having to go through, transcoding media to Avid MXF media in my Media Composer to get guaranteed stable playback in Pro Tools 10 with my Mojo.
The Test Rig
Pro Tools 11.1.2 HDX
Sync HD
Rosendahl Nanosyncs (SD sync)
ESE DV 319 (HD sync)
AJA 10.5.1 software
Blackmagic 10.1.2 Software
Pro-Tools-PC (3.5 Ghz quad i7, 32 GB 1600 MHz DDR3 ram, NVIDEA GeForce GT 610 1024 MB, OSX 10.8.5
Slate Raven (1920x1080 from NVIDEA gfx card DVI)
Samsung Sycmaster 940 fed from Intel on board gfx (same as mac min)
Fresh PP3 Duracell batteries
Fresh Sense Of Humour
The Test Results Explained
Tests were measured at the Twickenham satellite lab of Pro Tools Expert using Pharaoh Audio’s Syncheck 3 and Syncheck 2 (>thank you Mike Wabro) and the results given are an average of at least three readings as long as the readings were very close, and listed separately if they were not. >
A span is also quoted, which is the variance within a play pass or how “drunk or sober” the video is “walking down a white line in the road of sync”.
Each pass is the harder variable timing random sync check test with at least 30 secs of repeated random sync flashes per pass.
All tests are 25 fps PAL and results are quotes as frames difference (or part thereof) between audio and video (remember that 1 frame = 40 ms in PAL land).
In each test we only changed one parameter to make comparisons between them.
Pro Tools 11 with SD Video (Video Hardware Comparison)
Pro Tools Hd 10.3.9
AJA IO XT using DV MXF media (video referenced) - Average = 0.10f; Span = 0f (no test possible on Pro Tools 10 as AJA hardware not supported on PT10)
Blackmagic Decklink using DV MXF media (video referenced) - Oops this one got missed off the test series.
Desktop Video using DV MXF media on Slate Raven (individual tests listed due to wide range of results)
0.36f; Span = 0.96f
0.10f; Span = 0.87f
0.46f; Span = 0.84f
0.19f; Span = 1.15f
Desktop Video using DV MXF media on Samsung SyncMaster (individual tests listed due to wide range of results)
0.06f; Span = 0.85f
0.23f; Span = 1.08f
0.55f; Span = 0.78f
0.16f; Span = 0.82f
Pro Tools 10 with SD video (for comparison)
Desktop video - DV Pal QT – no vid ref Av = 1.51f; Span = 4.70f (QT Offset = 36qf)
Desktop video - h264 QT – no vid ref Av = 1.57f; Span = 5.26f (QT Offset = 36qf)
Pro Tools 11 with HD video (Video Hardware Comparison)
AJA IO XT using DNxHD MXF media (video referenced) 0.26f span = 0f
Blackmagic Decklink using DNxHD MXF media (video referenced)
0.20f; Span = 0.06f
0.05f; Span = 6.14f
0.20f; Span = 0.06f
0.12f; Span = 4.17f
0.12f; Span = 3.07f
0.24f; Span = 6.27f
Desktop Video using DNxHD MXF media on Slate Raven
0.54f; Span = 0.94f
0.15f; Span = 0.88f
0.15f; Span = 0.85f
Desktop Video using DNxHD MXF media on Samsung SyncMaster
0.51f; Span = 0.98f
0.02f; Span = 0.95f
0.07f; Span = 0.91f
Pro Tools 11 Video Codec Comparison
AJA IO XT using DNxHD Quicktime media (video referenced) 0.07f; span = 0f
AJA IO XT using ProRes HQ Quicktime media (video referenced) 0.02f; span = 0f
AJA IO XT using H264 Quicktime media (video referenced) 0.12f; span = 0f
AJA IO XT using DV Quicktime media (video referenced) 0.12f; span = 0f
AJA IO XT using MP4 Quicktime media (video referenced) 0.11f; span = 0f
AJA IO XT using MJPEG Quicktime media (video referenced) 0.11f; span = 5.49f
Pro Tools 11 HD Video Wrapper Comparison
AJA IO XT using DNxHD Quicktime media (video referenced)
0.24f; Span = 0f
0.24f; Span = 0f
0.24f; Span = 0f
0.02f; Span = 3.03f
AJA IO XT using DNxHD MXF media (video referenced)
0.26f; Span = 0f
0.19f; Span = 2.77f
0.25f; Span = 0f
0.25f; Span = 0f
Pro Tools 11 HD Video Reference vs Internal Sync Comparison
AJA IO XT using DNxHD MXF media (video referenced) 0.26f; span = 0f
AJA IO XT using DNxHD MXF media (internal reference)
2.19f; Span = 0f
0.46f; Span = 0f
0.16f; Span = 0.01f
0.44f; Span = 0f
0.48f; Span = 0f
0.02f; Span = 3.06f
0.08f; Span = 0f
Pro Tools 11 HD Vs SD Hardware Down-Conversion Comparison
AJA IO XT using DNxHD MXF media (video referenced) - composite output
0.12f; Span = 6.22f
0.10f; Span = 5.44f
0.33f; Span = 5.70f
AJA IO XT using DNxHD MXF media (video referenced) - HDMI output 0.26f span = 0.07f
Blackmagic Decklink using DNxHD MXF media (video referenced) - composite output (Not tested).
Blackmagic Decklink using DNxHD MXF media (video referenced) - HDMI output (Not tested).
Pro Tools 11 Tri-Level HD Sync vs SD Sync
AJA IO XT using DNxHD MXF media (video referenced - 625i SD) from Nanosyncs 0.25f; span = 0f
AJA IO XT using DNxHD MXF media (video referenced - 1080i HD from ESE DV 319 0.25f; span = 0f
Overall Conclusions
If you are new to video in Pro Tools and don’t quite get all of this, panic ye not ,as we hope to run a “Video for Pro Tools 101 course” soon.
So there are the results, as I am off on holiday now I will leave you all to discuss and interpret. However as Fab Dupont of PureMix would say “No bickering please children”. Enjoy :-)